Chief Editor's Note: The Texture of Sleep

One of my minor hobbies is reading comment threads, even on sites as notorious for comment quality as youtube. Rarely is any one comment illuminating, but it’s fascinating to glean the overall linguistic texture of a group: the vocabulary they create and use together, what they permit to be said, how it is to be said, and how these boundaries are enforced. The comments on noise music uploads are bounded by very different rules than those governing comments on black metal uploads even though the genres draw from contiguous pools of listeners, creating distinctly textured emotional-verbal communities in complement, or sometimes weird juxtaposition, to the music. During one of these bouts of textural appreciation, I first encountered reference to ASMR deep in the comments of a noise upload.

ASMR is also noise, but not music. Most of the videos work like this: a pretty, happy woman modestly dressed and well manicured appears in head and shoulders view seated somewhere in her home. If she speaks it’s in a whisper rocking slowly back and forth so that the sound moves from one side of the listener’s headphones to the other. Maybe she tells a story, chats like an old friend, or plays the role of a mother or a big sister putting the listener to sleep. Many videos feature sounds other than whispering. She may introduce items from around her home, a jewelry box, her favorite soap, a plastic makeup case and tap on these rhythmically while moving them in the same side to side motion to create a stereo soundscape. Some videos focus primarily on the sound. One video shows nothing more than two forks scratching a foam covered microphone.

Listeners who experience ASMR, audio sensory meridian response, feel something like tingles on their scalp, hair raising on the back of their neck, or an intense wave of sensation in and about the head. A variety of stimuli set it off the response, many of them particular sound textures. Some people draw parallels to orgasms, and compounded with most of the video makers being pretty young women, this has led to claims that ASMR is a sex thing, an assertion strongly rejected by most of the community. Personally, I’m inclined to think that the young women element has more to do with the stress and loneliness of modern life. I’ll guess that for most people, whispered comfort and acceptance have come from female voices.

Counter to both the sex and comfort hypotheses, there’s Ephemeral Rift. I have no clue what he’s doing unless its performance art. His videos contain the familiar ASMR elements, whispering, tapping, scratching, but with twists that hover ambiguously between the horrific and the bizarre. In one video we see a large, old box, behind which a plague doctor slowly shuffles. In a whisper muffled by his mask, he introduces himself as Corvus Clemmens. He then proceeds to tap and scratch the box occasionally whispering phrases about relaxation, sleep, and brain tingles, a routine familiar from ASMR videos but couched in a way that threatens or at least makes uncomfortable. If Corvus puts you to sleep, will you wake up?

Ephemeral Rift does many characters, such as Margaret, a red wig and a featureless white mask, possibly a mad cross-dresser in the mould of the Queen of Hearts. You can relax with Death or Satan. There’s a low key, sleep inducing simulated kidnapping. The weapon filled late night chat about suicide with a home invader video is as serene as any of the late night chat with big sister videos.

Perhaps Ephemeral Rift appeals to the same people who listen to horror stories to fall asleep. While horror novels may creep me out and I can’t really watch horror movies, there’s something inexplicably bland and comforting about a voice telling me these stories. Takes the teeth right out of them. Perhaps Ephemeral Rift’s videos remove the teeth from frightening subjects for some, much in the way that some people find death metal comforting.

There are many ways to seek relaxation and relief from the demands, anxieties, and fears of the world. And, apparently, many textures of sleep. It’s a weird world out there, but don’t forget to get outside your bubble from time to time. The world is filled with fascinating textures.

This issue brings you many delightful textures. Elina offers another poem as soothing and rough as the sea. In an interview with Eve, Caitlin reflects on how different life in Benin feels. Danielle tells about her preferred sonic experiences, and Hanna gives us a grainy yet poignant snapshot of the world’s end. Petteri draws our attention to the many elements involved in a classic anime in one article and laments and praises the travails of housekeeping in another. Timo lets us know just where the big wheel is rolling, and finally, I have a few things to say about pictures of food.

Whether trying something new or sticking with old favorites, dive into this issue for a moment of relaxation.

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The World's End 1998